Gardar Eide Einarsson’s work is characterised by borrowing elements from art history, as well as from contemporary sources such as graffiti and skateboard culture. Central topics in Power Has a Fragrance are authority and alienation. Drug lords and terrorists clash with police badges and truncheons in his formally and visually reduced, mostly black-and-white paintings, his […]
Gardar Eide Einarsson’s work series Plague Drawing uses as its indirect point of departure the global COVID-19 situation by referring to Albert Camus’s literary principal work The Plague. Thus, Einarsson’s works on paper are based on the various book covers for the novel, which outlines a battle between humanism and …
1973), 'Untitled (Sweden)' skateboard. Om kunstnerne: Gardar Eide Einarsson: 30 maj 2011 — I går var vi på Bonniers Konsthall och tittade på Gardar Eide Einarssons utställning Power Has a Fragrance. Dagen till ära var det Gardar Eide Einarsson älskar undergroundkultur. Postat den 24 februari, 2011 av Kultur | Aftonbladet.
Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. See available paintings, photographs, and prints and multiples for sale and learn about the artist. Gardar Eide Einarsson The Violence Under the Surface “I’ve lost the youthful naivety that leads me to think authorities should be torn down. I see it as an on-going negotiation.” Norwegian-born Gardar Eide Einarsson, who is now based in Tokyo, knows first-hand how different societies deal with authority. Gardar Eide Einarsson's works are direct and uncompromising in their interpretation of the social dichotomies of society.
For our first Benefit Edition, Gardar Eide Einarsson has created 9 unique artworks in a series titled Zip Tie Disposable Plastic Double Riot Cuff (Red). The works are made by laying out plastic riot cuffs on paper and spraying over them. View The White Album (Bone Black) by Gardar Eide Einarsson sold at Contemporary Art Day Sale on 14 October 2010 London.
Gardar Eide Einarsson, Actor: Made. Gardar Eide Einarsson is an actor, known for Made (2014) and Trygdekontoret (2009).
2015-jan-12 - Signerad Gardar Eide Einarsson och daterad 2007 a tergo. Akryl på trä-pannå, diameter 107 cm.
e-stocado: “ Gardar Eide Einarsson ”. Sparad av David Dafaat · KonceptkonstKonst Med Blandade MedierAbstrakt KonstAbstrakt ExpressionismModern
B. 1976. STAINLESS STEEL (FINE).
A stark, black-and-white publication, The Mess includes nearly 80 pa
Gardar Eide Einarsson. 2018 USA Forever. 2018.
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Reviews · Gardar Eide Einarsson's Copies of Copies. An exhibition at Standard ( Oslo) explores cartooning and its historical appropriation in the name of pop art.
2008 — Thórdís Aðalsteinsdóttir, IS ∙ Torsten Andersson, SE ∙ Nathalie Djurberg, SE ∙ Gardar Eide Einarsson, NO ∙ Anette H. Flensburg, DK
6 nov. 2019 — Alfred Boman (1981/SE), Aida Chehrehgosha (1980/IR), Dit-Cilinn (1983/SE), Gardar Eide Einarsson (1976/NO), Johan Furåker (1978/SE),
15 nov. 2011 — Nathalie Djurberg, Cecilia Edefalk, Gardar Eide Einarsson, Olafur Eliasson, Elis Eriksson, Lisa Jeannin, Rolf Schuurmans, Lena Johansson,
Imre Bak, Sara Cwynar, Mathew Cerletty, Aleksandra Domanovic, Alex Da Corte Gardar, Eide Einarsson, Ida Ekblad, Mandy El-Sayegh, Matias Faldbakken,
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Gardar Eide Einarsson The Violence Under the Surface “I’ve lost the youthful naivety that leads me to think authorities should be torn down. I see it as an on-going negotiation.” Norwegian-born Gardar Eide Einarsson, who is now based in Tokyo, knows first-hand how different societies deal with authority. Read more …
Einarsson examines the balance of power between state and individual in his current exhibition: TOTAL CONTROL ZONE - a series of new works, which relate to the way the body interfaces with the state. Gardar Eide Einarsson (b. 1976) is a Norwegian artist working in installation, printmaking, painting and sculpture. His work explores forms of social transgression and images for political subversion.
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Akryl på lerret, 213 x 183 cm Datert og signert på blindrammen verso: 2011 GEE Signert på lerretet verso: GEE PROVENIENS Carl Kostyál, London Privat
, 2019 Enamel on laser cut aluminium Gardar Eide Einarsson, I HAVE A DREAM OF LAW AND ORDER, 2018, Silkscreen on hand painted paper, 108 x 400 cm (42,52 x 157,48 in), Four panels, each 108 x 100 cm (42,52 x 39,37), Edition #2/2. Photo courtesy of Nils Stærk 2011-02-24 Find the latest shows, biography, and artworks for sale by Gardar Eide Einarsson Gardar Eide Einarsson: Perhaps we could start by talking a bit about form: It seems to me that some artists of our generation are developing a practice that could border on formalism. I think in your Flash Art uses cookies strictly necessary for the proper functioning of the website, for its legitimate interest to enhance your online experience and to enable or facilitate communication by Mar 26, 2019 - Explore Ivars Runkovskis's board "gardar eide einarsson", followed by 271 people on Pinterest. See more ideas about contemporary paintings, art, painting.